- #SUGAR SUGAR ARCHIES 45 RECORD PICTURE SLEEVE HOW TO#
- #SUGAR SUGAR ARCHIES 45 RECORD PICTURE SLEEVE FULL#
We cannot take responsibility for damage to insufficiently repackaged items, or items that have poorly used before being returned. The return address is included on the delivery label. You must take reasonable care to ensure that an item is repackaged so that it arrives back in the same condition it was despatched. Returns will only be accepted if received within 28 days from the date of delivery. If you need to return an item to us for a refund, you should contact us first at We will advise how best to return it. We may request pictures of the items in question. Refunds will be given on items that are faulty or do not match the condition stated. I hope they appreciate the imperfections that make records so, well, perfect.We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. A new generation is learning to embrace vinyl. More and more bands are including album versions in their new releases. It’s good to see tha t records are making a comeback. I’ll still love the music, but the mp3 is just a container for that music, where a record is part of the entire music experience. I’ve never met a digital purchase that made me fall in love with it like a record. There’s the feel of the record, the sight of it, things so ingrained in the experience of listening to vinyl that just walking into a record store is like opening up a time machine. Each record I owned had its own character, a specific memory attached to it – memories that were made of more than just sound. Later, I would work in a record store and spend my entire paycheck each week on seven inch imports, a reminder of my days of collecting 45s.
#SUGAR SUGAR ARCHIES 45 RECORD PICTURE SLEEVE FULL#
In 1980, I bought True Colors by Split Enz and was endlessly entranced by the laser etching in the vinyl that made it seem full of colorful prisms. Colored vinyl and picture discs turning your music into a work of art. It's in the cover art, large enough to frame and in the liner notes, read like fact sheets full of mystery and the familiar, read over and over again until memorized.Ĭan CDs or digital music offer you the artistry of records? Album covers framed and hung on the wall like pictures at an exhibition. It's all manual, each record leaving the presence of its previous owner on its surface, leaving the album awash in personal history. Vinyl is handled like no other medium, flipped and turned and gazed upon as one attempts to place the needle at the exact spot to start the song you want to hear. It's going to a used record store and flipping through the rows and rows of albums in their plastic sleeves, pulling the vinyl out to study its condition, knowing that every worn groove tells a story. Pepper had a scratch in it and to this day I can’t hear A Day in the Life without singing found my way up…found my way up…found my way upstairs, which was not a flaw so much as part of the charm of the record. It's in the watching of the vinyl spin around, each revolution a precise, timed piece of machinery pouring out sound. It's the way it feels to lift the arm and put the needle down on the record. My cousin was almost reverent about it, holding the edges with his palm, placing the album gently on the turntable, dropping the needle on the groove by hand because he didn’t trust the automatic arm to do it right.
Until then, I had been using the Fisher Price system and was a bit haphazard about how I handled my cardboard records.
#SUGAR SUGAR ARCHIES 45 RECORD PICTURE SLEEVE HOW TO#
He showed me how to drop the record on the turntable. He placed my hands around the edge of the record, explaining about fingerprints and dust and grooves. I remember pulling the record out of its sleeve as my cousin showed me how to properly handle a album. My real love affair with vinyl began when I was nine, when an older cousin introduced me to The Who’s Tommy. I was given real records after that – Partridge Family and Bobby Sherman collections and a few children’s albums, but they were just novelties.
I ended up listening to it on a Fisher-Price record player. I suspect now that it wasn’t so much the cardboard as it was the Archies themselves. No one would dare let their precious needle touch a piece of cardboard pretending to be a record. Not my parents, not my cousins, not even the next door neighbor. No one would let me play it on their stereo. My first “record” wasn’t vinyl at all, but an Archies record that I punched out of the back of a cereal box.
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